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From Publishers Weekly:
Texas journalist Phinney’s first book traces the history of race relations as seen through commingling musical crossovers and a parade of personalities: from Al Jolson to Louis Jordan, Billie Holiday to Bonnie Raitt, Zip Coon to Pat Boone. This comprehensive coverage spans all genres, including blues, country, gospel, jazz, R&B, ragtime, rock and rap. With blackface minstrelsy, “whites opened a portal to their own hidden creative impulses,” and Phinney explores this theme as he covers “white men in transparent blackface” (Eminem), “multi-culti chanteuses” (Mariah Carey) and “sepia Sinatras” (Johnny Mathis). Anecdotes abound, and many music history milestones punctuate Phinney’s probing critical commentary. Analyzing Nat King Cole’s singing style and how it made him “one of the first modern artists to ‘cross over’ from black to white popularity,” Phinney recounts how Cole, only months before the premiere of his 1956–1957 NBC television show, was assaulted onstage in Birmingham, Ala., by five white men. Phinney writes with verve and vitality, articulately charting hundreds of black and white intersections in this definitive roadmap to racial rhythms. 45 b&w photos. (Sept.)
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Book Description:

•Combines social history and pop culture to reveal how jazz, blues, soul, country, and hip-hop have developed

•Includes interviews with Ray Charles, Willie Nelson, B.B. King, David Byrne, Sly Stone, Donna Summer, Bonnie Raitt, and dozens more

• Confronts questions of race and finds meaningful answers

From Jim Crow to Eminem, white culture has been transformed by black music. To be so influenced by the boundless imagination of a race brought to America in chains sets up a fascinating irony, and Souled American, an ambitious and comprehensive look at race relations as seen through the prism of music, examines that irony fearlessly—with illuminating results. Tracing a direct line from plantation field hollers to gansta rap, author Kevin Phinney explains how blacks and whites exist in a constant tug-of-war as they create, re-create, and claim each phase of popular music.

About the Author:

Kevin Phinney, an entertainment journalist based in Austin, has written for the Austin American-Statesman, Premiere magazine, and the Hollywood Reporter. In 1988 he joined KGSR-FM to become co-host of its Morning drive-time program, “Kevin & Kevin.”

Souled American: How Black Music Transformed White Culture